Issue 16.2
SubscribeCover art
“Purple Onion”
by Elizabeth Slayton
Elizabeth Slayton attended the Boston Museum School of Fine Arts, Penn State University and Massachusetts College of Art. She has been painting and exhibiting for more than 30 years, showing in solo and group shows throughout the US and abroad. Her paintings are included in private and corporate collections.
| Poetry | |
| Pamela M Cersosimo | The Mill |
| Angie Macri | Ten-Year Drought |
| Cadence | |
| The Heart of a River Never Is Its Own | |
| Julia Story | Red Town #15 |
| Laura Shearer | Flight |
| Aimee Sands | Initiation |
| Brandi George | For Eva, Who I am Not |
| Leslie McGrath | A Music |
| Depression as Litany | |
| Weston Cutter | Saint Hillside |
| James Silas Rogers | Late Night, in Kilkenny |
| Clothesline | |
| Brianna Noll | Lace Factory |
| Mistaking the Road for Open Sea | |
| Linda Zisquit | Not a Ghazal |
| Poem | |
| Carolyn Miller | City Cemetery of Spoleto |
| Patricia McKernon Runkle | Blue |
| Greg Nicholl | Errors in Cross Circulation |
| Marian Willmott | Turnings |
| Denise Bergman | Confused Waters 1 |
| Confused Waters 2 | |
| Jody A. Zorgdrager | A Stranger’s Voice on Your Machine Was Sorry |
| Diana Der-Hovanessian | Being Born |
| Carolle Robin Morini | Poem of Tender |
| Jenna Le | Inheritance |
| Susanna Kittredge | The Counterpane |
| Anthony Opal | Hidden Love |
| George Kalogeris | Tibullus in Sparta |
| Mercedes Lawry | Put forth |
| Nancy Kassell | Purple Loosestrife |
| Jesseca Cornelson | A Body by the Wayside Strange |
| Alec Hershman | Cells |
| A Shoreline Negotiable | |
| Hilary Sideris | Uccello |
| Elizabeth Hazen | Bottom Dwellers |
| Physics Lesson | |
| Emily Wall | Grace Harbor, Desolation Sound |
| Barry Sternlieb | Prayer |
| Susan Rich | Love Study in Nature |
| Life Studies: College Love Poems | |
| Dara Barnat | Early Marriage |
| Martin Rock | Heading East |
| Marriage | |
| Al Maginnes | Two Horizons |
| Curtis Bauer | Home |
| Dan Howell | A Song One-Two-Three |
| Gregory W. Randall | Medieval Studies |
| Joyce Peseroff | from Sound Net Sequence |
| Carol Dine | Buchenwald/Beech Forest |
| Steven Cramer | from Clangings |
| from Clangings | |
| Jeremy Allan Hawkins | Certainties in Texas |
| Salvage | |
| George Higgins | Tornados |
| Jason Schossler | New Toy |
| Thom Ward | And Things Have a Way of Undoing Themselves |
| David McCann | Blue Ink |
| Norman Lock | from Alphabets of Desire & Sorrow: A Book of Imaginary Colophons Alphabet of the Elephant |
| Lan Lan, trans. by Fiona Sze-Lorrain | You Are |
| Alyse Knorr | Aria I |
| Catherine Sasanov | Mark in Chains |
| Kathleen Weaver | White Phosphorus, Fallujah |
| Amy Ash | On Thin Ice |
| Gregory A. Abel | Story Time |
| Elizabeth Crowell | On Consignment |
| Rebecca Kaiser Gibson | so low we didn’t notice |
| Michael Barach | Men in the Club, Not Dancing |
| Noel Sloboda | Bailey’s Rehabbed as Millennium |
| J. S. A. Lowe | A Doily |
| Fiction | |
| Chad B. Anderson | The Kelley Street Disappearances |
| Allison Alsup | Another Man’s Clothes |
| Reviews | |
| Fred Marchant | Windfall: Seamus Heaney’s Human Chain |
| Catherine Parnell | Three Debuts: C. D. Collins’s Blue Land, Siobhan Fallon’s You Know When the Men Are Gone, Anne Germanacos’s In the Time of the Girls |
| Valerie Duff-Strautmann | Legends: Adam Zagajewski’s Unseen Hand |
SUMMER 2011
